Dancescape, Limited Edition Prints

$250.00

Elise Sydora

Archival Pigment Print

"Dancescape" is a mixed media collage that was inspired by the grace, intricacy, and near perfection of the ballet dancer. Unlike, the trained ballerina to follow intricate, choreograhic patterns, the painting upholds no pattern; it boasts no set path. Rather, it's structured inconsistencies reveal a choatic frenzy often present within a more primitive form of dance. 

11 x 16, $250 
30 x 35, $500 
40 x 45, $800 
50 x 55, $1,200

Southern Perspective

$250.00

Kendall Starr

"On a calm morning in Louisiana, the fog retreated and I found myself beneath twin spans over an undisturbed bayou. Invisible 18-wheelers above provided an ambient and welcome rumble. A fan of geometry, I found it difficult to ignore the vanishing point." - Kendall Starr

Delicate

$400.00

Liquid 1

$850.00

Colette Standish

Liquid Light & Acrylic Collage on Board

Colette Standish's artwork presents the tensions that exist between opposites, centering around masculine and feminine, animus and anima. She uses the body as a point of reference, using blank space in the human form to evoke a spiritual presence and present the plane where tensions reside, at times invisible to the human eye. Her interactions with opposing forces cause her images to fragment offering a perceived balance and harmony of tension and the resulting discomfort.

12 x 16 

Daydreamer

$400.00

Groundbreaker

$400.00

Esmeralda Ruiz

Quite

$400.00

Esmeralda Ruiz

Unsteady

$400.00

Whisper

$400.00

Awaken

$400.00

Esmeralda Ruiz

Whisper

$400.00

Esmeralda Ruiz

Untitled

$200.00

Hand-signed, limited edition fine art print

11 x 14

16 x 20

24 x 30

32 x 40

40 x 50

Una Palma Oasis

$395.00

Hand-signed, limited edition fine art print

12 x 25

24 x 50

Bathing Beauties

$200.00

Hand-signed, limited edition fine art print

9 x 14

16 x 24

20 x 30

33 x 50

Rimed Oaks

$200.00

Hand-signed, limited edition fine art print

11 x 14

16 x 20

20 x 25

24 x 30

32 x 40

Dancing Oaks

$200.00

Hand-signed, limited edition fine art print

11 x 14

16 x 20

20 x 25

24 x 30

32 x 40

The Okanagan Nostalgia, The Sequence of Nature

$300.00

The Okanagan Nostalgia, The Sequence of Nature

Price comes with the set.

Edition 50 s/n

Material and Dimensions:

Fine Art Archival Paper, 16" x 48", $300

Canvas, 16" x 48", $600

Moonlight City

$3,100.00

Moonlight City

Original Artwork

Artist: Vassia Alaykova

Dimensions: 29" x 45"

Materials: Watercolor and Gouache

“I try to find a correlation between the present day and history, between reality and imagination, simplicity and complexity, order and chaos, science and art. On the canvas inside of the story, geometric shapes dance with organic ones creating a chaotic harmony." - Vassia Alaykova

The Mask of Life

$1,250.00

The Mask of Life

Original Artwork

Artist: Vassia Alaykova

Dimensions: 12" x 16"

Materials: Watercolor and Gouache

“I try to find a correlation between the present day and history, between reality and imagination, simplicity and complexity, order and chaos, science and art. On the canvas inside of the story, geometric shapes dance with organic ones creating a chaotic harmony." - Vassia Alaykova

Chaos Order

$3,150.00

Chaos Order

Original Artwork

Artist: Vassia Alaykova

Dimensions: 36" x 41"

Materials: Watercolor and Gouache

“I try to find a correlation between the present day and history, between reality and imagination, simplicity and complexity, order and chaos, science and art. On the canvas inside of the story, geometric shapes dance with organic ones creating a chaotic harmony." - Vassia Alaykova

Earth Tapestry

$3,000.00

I draw inspiration from a range of sources, such as archaeology, artifacts, geology, landscape and plant matter.

My process comprises of an eclectic mix of adding and subtracting: controlling the medium yet allowing the accidental. I work in layers, creating then obscuring , revealing then hiding.

Painting surfaces are constantly multi-layered and renewed. This process-orientated method of constant re- defining allows a subject’s essence to reveal itself in its own time.

Original Painting

4 ft. x 4 ft. 6 in.

Interstice

$3,000.00

I draw inspiration from a range of sources, such as archaeology, artifacts, geology, landscape and plant matter.

My process comprises of an eclectic mix of adding and subtracting: controlling the medium yet allowing the accidental. I work in layers, creating then obscuring , revealing then hiding.

Painting surfaces are constantly multi-layered and renewed. This process-orientated method of constant re- defining allows a subject’s essence to reveal itself in its own time.

Original Painting

4 ft. x 4 ft. 6 in.

Still

$1,600.00

I draw inspiration from a range of sources, such as archaeology, artifacts, geology, landscape and plant matter.

My process comprises of an eclectic mix of adding and subtracting: controlling the medium yet allowing the accidental. I work in layers, creating then obscuring , revealing then hiding.

Painting surfaces are constantly multi-layered and renewed. This process-orientated method of constant re- defining allows a subject’s essence to reveal itself in its own time.

Original Painting

4 ft. x 3 ft.

Turn

$1,600.00

I draw inspiration from a range of sources, such as archaeology, artifacts, geology, landscape and plant matter.

My process comprises of an eclectic mix of adding and subtracting: controlling the medium yet allowing the accidental. I work in layers, creating then obscuring , revealing then hiding.

Painting surfaces are constantly multi-layered and renewed. This process-orientated method of constant re- defining allows a subject’s essence to reveal itself in its own time.

Original Painting

4 ft. x 3 ft.

Water

$1,600.00

I draw inspiration from a range of sources, such as archaeology, artifacts, geology, landscape and plant matter.

My process comprises of an eclectic mix of adding and subtracting: controlling the medium yet allowing the accidental. I work in layers, creating then obscuring , revealing then hiding.

Painting surfaces are constantly multi-layered and renewed. This process-orientated method of constant re- defining allows a subject’s essence to reveal itself in its own time.

Original Painting

4 ft. x 3 ft.

Waves II

$100.00

Inspired by the ocean, Alex Baltov is a fine art photographer based in San Diego, CA.

Fine Art Archival Print and Canvas Wrap Options:

Wedding Shower

$100.00

Inspired by the ocean, Alex Baltov is a fine art photographer based in San Diego, CA.

Fine Art Archival Print and Canvas Wrap Options:

Coronado Bridge II

$100.00

Coronado Bridge at dusk seen through the pink Belt of Venus, and paralleling the darker blue Earth's shadow on the horizon. The still waters of the San Diego bay form a mirror-like surface, reflecting the true beauty of this iconic San Diego landmark.

"Girders of the steel superstructure are painted blue to harmonize with the predominant color of the sky, bay, and sea." - Alex Baltov

Inspired by the ocean, Alex Baltov is a fine art photographer based in San Diego, CA.

Fine Art Archival Print and Canvas Wrap Options:

Crystal Pier Sunset

$100.00

Inspired by the ocean, Alex Baltov is a fine art photographer based in San Diego, CA.

Fine Art Archival Print and Canvas Wrap Options:

Oil

$4,000.00

I draw inspiration from a range of sources, such as archaeology, artifacts, geology, landscape and plant matter.

My process comprises of an eclectic mix of adding and subtracting: controlling the medium yet allowing the accidental. I work in layers, creating then obscuring , revealing then hiding.

Painting surfaces are constantly multi-layered and renewed. This process-orientated method of constant re- defining allows a subject’s essence to reveal itself in its own time.

Original Painting

4 ft. x 5 ft.

My Own Norm

$8,400.00

Ariel Vargassal

Original

Acrylic on Canvas

36 x 60 

Untitled VI, Around the World aka A-T-W 1957

$1,500.00

fashion photographer, Gleb Derujinsky (1878-1975)

Museum quality archival prints made from negatives

Gleb Derujinsky's (1878-1975) photography is iconic of an era in fashion and photography. Derujinsky was one of the most sought after fashion photographers from 1950 to 1970. Considered one of the first photographers to take fashion out of the studio, Derujinsky shot for Esquire, Look, Life, Glamour, Town and Country, The New York Times Magazine and ultimately, exclusively for Harper’s Bazaar. His work with the top fashion designers, publicists and models of his time mark Gleb Derujinsky as one of the most iconic fashion photographers in our life time.

Apart of the collection, Around the World aka A-T-W 1957

15 x 15, Limited Edition of 25

20 x 20, Limited Edition of 25

30 x 30, Limited Edition 10

40 x 40, Limited Edition 5

50 x 50, Limited Edition 5

Untitled II, Paris 1958

$1,500.00

fashion photographer, Gleb Derujinsky (1878-1975)

Museum quality archival prints made from negatives

Gleb Derujinsky's (1878-1975) photography is iconic of an era in fashion and photography. Derujinsky was one of the most sought after fashion photographers from 1950 to 1970. Considered one of the first photographers to take fashion out of the studio, Derujinsky shot for Esquire, Look, Life, Glamour, Town and Country, The New York Times Magazine and ultimately, exclusively for Harper’s Bazaar. His work with the top fashion designers, publicists and models of his time mark Gleb Derujinsky as one of the most iconic fashion photographers in our life time.

Apart of the collection, Paris 1958

15 x 15, Limited Edition of 25

20 x 20, Limited Edition of 25

30 x 30, Limited Edition 10

40 x 40, Limited Edition 5

50 x 50, Limited Edition 5

Untitled, Paris 1958

$1,500.00

fashion photographer, Gleb Derujinsky (1878-1975)

Museum quality archival prints made from negatives

Gleb Derujinsky's (1878-1975) photography is iconic of an era in fashion and photography. Derujinsky was one of the most sought after fashion photographers from 1950 to 1970. Considered one of the first photographers to take fashion out of the studio, Derujinsky shot for Esquire, Look, Life, Glamour, Town and Country, The New York Times Magazine and ultimately, exclusively for Harper’s Bazaar. His work with the top fashion designers, publicists and models of his time mark Gleb Derujinsky as one of the most iconic fashion photographers in our life time.

Apart of the collection, Paris 1958

15 x 15, Limited Edition of 25

20 x 20, Limited Edition of 25

30 x 30, Limited Edition 10

40 x 40, Limited Edition 5

50 x 50, Limited Edition 5

Untitled I, Paris 1958

$1,500.00

fashion photographer, Gleb Derujinsky (1878-1975)

Museum quality archival prints made from negatives

Gleb Derujinsky's (1878-1975) photography is iconic of an era in fashion and photography. Derujinsky was one of the most sought after fashion photographers from 1950 to 1970. Considered one of the first photographers to take fashion out of the studio, Derujinsky shot for Esquire, Look, Life, Glamour, Town and Country, The New York Times Magazine and ultimately, exclusively for Harper’s Bazaar. His work with the top fashion designers, publicists and models of his time mark Gleb Derujinsky as one of the most iconic fashion photographers in our life time.

Apart of the collection, Paris 1958

15 x 15, Limited Edition of 25

20 x 20, Limited Edition of 25

30 x 30, Limited Edition 10

40 x 40, Limited Edition 5

50 x 50, Limited Edition 5

Copper Traces - Sold

$3,500.00

Sharron Parker 

"The shape of a piece might come from a bird's wing, the color from crystals under a microscope, a line from the sinuous edge of a pond meeting the shore, and the texture from the bark of a birch tree. I wish to celebrate nature, not to mirror it." - Sharron Parker

Copper Traces is handmade felt from wool constructed delicately and uniquely from varying fiber art techniques. Written in Stone IV is the only of its kind.

The artwork is cleanable by vacuum through mesh. 

28" x 58" x 2" 

Stories in Smoke

$250.00

Elise Sydora

Archival Pigment Print

"Stories in Smoke" was inspired by the architectural landscape of the City of Chicago. It was created within days of "Bombs Bursting in Air" and completes Elise Sydora's "A Bomb Series."

11 x 16, $250
30 x 35, $500
40 x 45, $800
50 x 55, $1,200

Bombs Bursting in Air

$250.00

Elise Sydora

Archival Pigment Print

"Bombs Bursting in Air" was inspired by the architectural landscape of the City of Chicago.

11 x 16, $250
30 x 35, $500
40 x 45, $800
50 x 55, $1,200

Blue Flagmented

$5,000.00

CTRLZAK Designs

Flagmented is a series of works that integrates traditional fabrics from two diverse cultures, the European and the Chinese, blending them to form a single textile. Flagmented represents a possible future able to surpass normal cultural borders and expressions. Classical European embroidery and Toile de Jouy are coupled with traditional Chinese fabrics forming unique pieces that stitch together the two diverse realities. The unexpected results mark a new era of globalisation becoming the flags of a new hybrid culture.

All pieces are unique and made to the dimensions of 80 cm x 180 cm.

Please allow for 30 days for production and 7 days for shipping. 

Black & White and Red All Over

$2,300.00

Biography and Story

"Thread, fabrics and yarn are my paints.  Instead of brushstrokes, I stitch.  My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look.  The sewing machine is transformed into an artistic tool that I use to create contemporary art." 

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center. 

Artworks: Still and Turn

$3,200.00

Customized for TC Architects

Framing Options, Costs may vary. See below.

No frame: stretched canvas on original wood frame = $0

One (1) Inch Wooden Black Frame ($150 per frame) x 2 = $300 

Half Inch (1/2) Black Wooden Floating Frame ($315 per frame) x 2 = $650

Artist, Helen Kilsby

Artist Statement:

I draw inspiration from a range of sources, such as archaeology, artifacts, geology, landscape and plant matter.

My process comprises of an eclectic mix of adding and subtracting: controlling the medium yet allowing the accidental. I work in layers, creating then obscuring , revealing then hiding.

Painting surfaces are constantly multi-layered and renewed. This process-orientated method of constant re- defining allows a subject’s essence to reveal itself in its own time.

Rhapsody in Paris (Sold)

$1,150.00

For a similar, handmade representation of this artwork, please contact CreativeTeam@ArtUrbane.com. 

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Biography and Story

"Thread, fabrics and yarn are my paints.  Instead of brushstrokes, I stitch.  My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look.  The sewing machine is transformed into an artistic tool that I use to create contemporary art." 

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center. 

Arpeggio (SOLD)

$650.00

For a similar, handmade representation of this artwork, please contact CreativeTeam@ArtUrbane.com. 

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Biography and Story

"Thread, fabrics and yarn are my paints.  Instead of brushstrokes, I stitch.  My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look.  The sewing machine is transformed into an artistic tool that I use to create contemporary art." 

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center. 

Odyssey (Sold)

$1,150.00

For a similar, handmade representation of this artwork, please contact CreativeTeam@ArtUrbane.com. 

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"Odyssey" is composed of painted canvas layered with lace, painted scrim and thread. It is attached to a wire grid. it is machine quilted and appliquéd.

Dimensions: 45.5"W x 38"H

Biography and Story

"Thread, fabrics and yarn are my paints.  Instead of brushstrokes, I stitch.  My stitching is done primarily via sewing machine – an instrument emblematic of the female role. I see strength and power in the stitch and feel its history; it is a way of leaving a print to be remembered, beckoning you to take a second look.  The sewing machine is transformed into an artistic tool that I use to create contemporary art."  

Sandra’s eye and tactile sense were initially developed through exposure to the fabrics printed by her parents’ company, Alexander Henry Fabrics, Inc. She maintained her involvement in her parents’ efforts while taking art classes at Pomona College, attending USC Law School and during her employment at major corporations and law firms. She has taken art classes at Otis College of Art and Design, UCLA Extension, and Brentwood Art Center. 

Abstracted Figure 8

$4,000.00

Colette Standish

Acrylic Collage on Canvas

Colette Standish's artwork presents the tensions that exist between opposites, centering around masculine and feminine, animus and anima. She uses the body as a point of reference, using blank space in the human form to evoke a spiritual presence and present the plane where tensions reside, at times invisible to the human eye. Her interactions with opposing forces cause her images to fragment offering a perceived balance and harmony of tension and the resulting discomfort.

48 x 60 

Abstracted Figure 7

$4,000.00

Colette Standish

Acrylic Collage on Canvas

Colette Standish's artwork presents the tensions that exist between opposites, centering around masculine and feminine, animus and anima. She uses the body as a point of reference, using blank space in the human form to evoke a spiritual presence and present the plane where tensions reside, at times invisible to the human eye. Her interactions with opposing forces cause her images to fragment offering a perceived balance and harmony of tension and the resulting discomfort.

48 x 60 

Abstracted Figure 6

$250.00

Colette Standish

Fine Art Archival Pigment Print

Colette Standish's artwork presents the tensions that exist between opposites, centering around masculine and feminine, animus and anima. She uses the body as a point of reference, using blank space in the human form to evoke a spiritual presence and present the plane where tensions reside, at times invisible to the human eye. Her interactions with opposing forces cause her images to fragment offering a perceived balance and harmony of tension and the resulting discomfort.

12 x 24, $250
24 x 36, $500
36 x 48, $700
48 x 60, $1000 
60 x 72, $1,500
72 x 84, $2,000

Abstracted Figure 3

$250.00

Colette Standish

Fine Art Archival Pigment Print

Colette Standish's artwork presents the tensions that exist between opposites, centering around masculine and feminine, animus and anima. She uses the body as a point of reference, using blank space in the human form to evoke a spiritual presence and present the plane where tensions reside, at times invisible to the human eye. Her interactions with opposing forces cause her images to fragment offering a perceived balance and harmony of tension and the resulting discomfort.

12 x 24, $250
24 x 36, $500
36 x 48, $700
48 x 60, $1000 
60 x 72, $1,500
72 x 84, $2,000